Biography

John C. Van Orman holds an MA in Russian, East European and Eurasian Studies from the University of Kansas, and a BA in Cultural Anthropology from Hamline University. In 1995 he traveled to China in order to study performance on China’s oldest stringed instrument, the guqin, his research on the instrument being published in academia, and earning him honors including the Sidney DeVere Brown Award. His graduate thesis was focused on the music traditions of the Turkic-speaking peoples of Siberia, a subject in which he had become interested after visiting the Altai Republic. He was a FLAS Fellowship recipient in support of his studies at Ivano Franko University in L’viv, Ukraine where he conducted research on the blind minstrels of that nation.

He began building folk music instruments professionally at Here Inc. in Minnesota in 1976. From 1978 to 1993 he worked at North American Carousel and Cart Manufacturing Co. where he was design engineer and shop foreman. During that that period he engaged in building historical replicas of wagons, amusement rides, artillery, stage sets and signage while continuing to design and construct musical instruments.  He has served on the Board of Directors of the Minnesota Folk Festival, and of the Arkansas Craft School. He was Music Director at the Ozark Folk Center from 2000 to 2006 where, in addition to his other duties, he oversaw a documentation project to digitize forty years of nightly amphitheater concert recordings. From 2010 to 2014, he was instructor of Anthropology, Sociology, and Russian culture and language at Ozarka College. John is a multi-instrumentalist and singer, and has performed regionally in the Midwest and in the Ozarks – solo, as a duo with Adam Helwin, and with the band, Finnegans Wake.

“Mr. Van Orman’s list of achievements, from his work with folk group Finnegan’s Wake, his spell as music director at the famed Ozark Folk Center and acclaimed academia accomplishments, onto the many concerts and recordings, as well as instrument building, playing, studying and teaching, is truly astounding. We could go on and on about his stellar career, but your best bet to absorb this lifelong dedication and devotion to folk music is to see him live and just soak it all in.”

 Tom Irwin
“Tooter, Van Orman and the Beatles”

Illinois Times, July 21, 2022

  • 1974: Formed ‘Finnegans Wake’ in Springfield, IL (still performing)

  • 1987: Minnesota Music Awards nomination for hurdy gurdy performance

  • 1988: Minnesota Music Awards nomination for “Western Borders;” Awards for “Madman Mora Blues” and hurdy gurdy/concertina performances.

  • 1995: Studied the Guqin with a qin master in Beijing

  • 2000: Began work as Music Director at the Ozark Folk Center

  • 2005: Traveled to Gorno Altai, Siberia to provide cultural preservation consultation

  • 2008, 2009: Traveled to L’viv, Ukraine for research on the Ukrainian lira, and the blind minstrel tradition

  • 2009: release “Love, Liquor and the Lord”

  • 2015: Children’s program Folk Music Instructor, Folklore Village

  • 2017: Formed ‘Van Orman & Helwin’ with Adam Helt-Baldwin

  • 2020: Released “Van Orman & Helwin”

  • 2022: Released “Flight to the Moon” on Omnium Records

  • 2023: Finalist in the Madison Area Music Association Awards – Song of the Year: Folk – Contemporary, Rock song for “He is Waiting” and Best CD/LP Artwork for the album “Flight to the Moon.”